Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Study for nude oil painting


Study for nude
mk206 1896 Oil on canvas 77x83cm
Painting ID::  49994
Edgar Degas
Study for nude
mk206 1896 Oil on canvas 77x83cm
   
   
     

Edgar Degas Dance have a break oil painting


Dance have a break
mk206 1897-1901 Oil on canvas 65.4x77.5cm
Painting ID::  49995
Edgar Degas
Dance have a break
mk206 1897-1901 Oil on canvas 65.4x77.5cm
   
   
     

Edgar Degas Dance behind the curtain oil painting


Dance behind the curtain
mk206 1897-1901 Oil on canvas 80x110cm
Painting ID::  49996
Edgar Degas
Dance behind the curtain
mk206 1897-1901 Oil on canvas 80x110cm
   
   
     

Edgar Degas Lady in the bathroom oil painting


Lady in the bathroom
mk206 about 1897 Oil on canvas 59.3x61cm
Painting ID::  49997
Edgar Degas
Lady in the bathroom
mk206 about 1897 Oil on canvas 59.3x61cm
   
   
     

Edgar Degas Lady in the bathroom oil painting


Lady in the bathroom
mk206 about 1897 oil on canvas 51x46cm
Painting ID::  49998
Edgar Degas
Lady in the bathroom
mk206 about 1897 oil on canvas 51x46cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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